Postcolonial Studies and Bollywood
Rang De Basanti
Rang De Basanti is a 2006 Indian Hindi-language drama film written, produced and directed by Rakeysh Omprakash Mehra, and co-written by Rensil D'Silva. The film follows a British film student traveling to India to document the story of five freedom fighters of the Indian revolutionary movement. She befriends and casts five young men in the film, which inspires them. to fight against the corruption of their own government. It features an ensemble cast consisting of Aamir Khan, Siddharth, Atul Kulkarni, Soha Ali Khan, Sharman Joshi, Kunal Kapoor and British actress Alice Patten.
Postcolonial study in the movie
The story is about British documentary filmmaker who is determine to make film on Indian freedom fighters based on a diary entries by her grandfather, former officer in Indian Imperial police.
When we look at this film as postcolonial way we find some interesting things. In the movie when British female protagonist She came on Indian airport at that time how Indian people gathered to meet her with excitement, so it’s shows the impact of white person on our mind.
When outsider sees the act of bribe it’s illegal for them but in India, it become normal for us. This scene very well shown in movie and how Sue react on it, camera also focused well.
Sue : इन लोगो ने जान दी थी आज़ादी के लिए तुम्हारे देश कि.
This dialogue represent that these Indian characters not know anything or they don’t focus on their own country, she came and she try to awaken them for freedom and patriotism.
When Daljit and Pande fight at that time Sue try to patch up them so if we look at Postcolonial theory it said that why white people required for patch up?why we Indian aren't able to do that?
Sue : अपनी ट्रेडिशन का सम्मान करना ही चाहिए.
The other thing is when Sue speaks Hindi, DJ is shocked, because he thinks that white people can not speak and understand Hindi. This is a single story in our mind also. We think the white people can not speak our language.
Lagaan
On the independence day of India, 15th August 2018 after flag-hoisting at university ground we have planned to watch “Lagaan – once upon a time in India” movie at our department. This movie was released in 2001. It is a sports-drama film, directed by Ashutosh Gowariker, produced by Aamir Khan and Mansoor Khan, written by Gowariker and Abbas Tyrewala. The setting of movie is British India. Patriotism is in the core of movie. The film has some hidden messages also. Here I’m interpreting film as per my understanding.
1) Patriotism
The main theme of this movie is patriotism. The setting is India under British rule, so the passion for “our land” will be there. In this movie farmers have to pay yearly lagaan (tax) to the king and king to the British rule, but from last two years they are suffering from draught and the arrogant British captain Russell has doubled the tax because king has denied to eat meat. After that captain Russell challenged the people of village to beat them in cricket match and three years tax will be erased. Now they all are doing hard work to beat British team. This shows their passion for their land and their rights. Ram Singh, Lakha, and Arjan who are working for British people they also left their work and shows their passion for freedom from tax.
2) Love Triangle
At very shallow level if we look this film is also same like other Bollywood film which has love theme as importantly as other main theme. Here in this film also Gauri who is living in village who loves Bhuvan. Both are living in same village. Bhuvan also loves Gauri. One other person who also lives in same village Lakha loves Gauri. Elizabeth, sister of Russell also fall in love with Bhuvan. So we can find heartbroken Elizabeth and jealous Lakha.
3) Religion
Religion is also in the center of the movie. The temple of Lord Krishna is situated at height, which signifies their faith and place of religion. Before starting any work they pray to god for their victory. The king also staunchly believes in religion and because of that he denies to eat meat to captain Russell. Villagers are suffering from draught for last two years then they believe that if they will pray to god, god will send rain. When Bhuvan accepts the challenge of cricket match no villager was ready to play but when first time Bhuvan hits the ball and ball hits the bell of temple than they found this as omen. In between the movie whenever they find themselves in difficult situation they all gather and pray to god. By doing all these things film maker wants to show the power of religion and prayer.
4) Archetypes
This movie is same like other movies also follows some archetypes. The first archetype is “Draught”. When movie starts, the scene of draught comes which signifies sorrow and hopelessness in life of villagers.
Then “Temple” is another archetype in this movie. Temple is symbol of goodness, positivity, hope and happiness. Which we can see in movie that whenever villagers are in temple they are happy or they have hope of something positive and good.
Third is “Rain”. Rain is symbol of happiness. In this movie also when villagers see the dark clouds they start celebrating. At the end also when they won the match rain comes and again everyone are happy.
Then “Hero” or “Central character” is also an archetype here. As Hero will be savior same happens here. Bhuvan is central character in this movie, so he saved all villagers from three years tax, at last moment he also make team won the match. He is the one who is first to solve every problem.
5) Leadership
Bhuvan has got great leadership qualities. He is the first one to accept the challenge when other people are seeing this as harmful he is seeing this challenge as an opportunity. At beginning no one is with him but he knows how to built the team. He also knows everyone’s ability and he use that abilities effectively. Only building team will not going to help he also make all team members work together and for whole team and not for an individual. When it comes to team he don’t think about other things he include untouchable in his team when other members are denying to play with untouchable, and he also make them all to understand. He takes action when it is necessary, he hit six at the last ball of the match and make his team win the match. These all are great leadership qualities which Bhuvan describes.
8) Subalterns
Here we can apply subaltern theory and we also can find hierarchy here. In this movie India is under control of British rule so first subaltern is India, and at first place come king. Here king is also under the control of British rule and he can’t do anything against them. Then under the king comes villagers. They are helpless front of king, they have to obey the decision of king. Then comes the women of village, as they are controlled by male. They live life like do what is said to do. At last comes untouchables. They meant to live away from all other villagers. In this movie we have one character named Kachara, who is untouchable. He is so afraid of other people he constantly under fear of not touching anyone and not to make any mistake.
9) Post-colonialism
The only thing represents post-colonialism in this movie is game of cricket. We accepts to play cricket because we want freedom from tax but now in free India why this game is more famous than any other game. It clearly shows that how still British people ruling our mind. This is the reason why cricket is more played and watched than our national game.
Thank You...
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